Hello, out there, all you creative writers. No, you haven’ missed about six months of this year or gone back six months. I first posted this article in December 2016, but find it interesting to see where I stand now.
I am considering myself a blogger now not a writer. And a poetess. What a lovely word. I still need a writing routine and I still struggle with it. But, on the other hand, I do produce blog posts so I assume I must be doing something right 😉
Well, here are my thoughts from four years ago and Mr Ingermanson’s ideas on creating characters.
Good Morning Writers,
How is your writing going? Are you still struggling with Christmas or Hanukkah obligations or are you relaxed enough to get back into your writing?
My writing life has to change and I am not sure I am up for it. It has occurred to me that blogging has stopped me from finishing several of my writing projects (a love story, a fantasy story and a sci-fi story) which actually are for my blog.
So I have used the holidays and the new year coming for overhauling my writing routine. Well, there is not much of a routine as I work flexible shifts but I am determined to develop one somehow.
Yes, I know some say that a routine is pretty much deadly for creativity while others say it is entirely necessary for creativity. I have come to the conclusion that both is true. Looks like I need a combination of both and I am working on it.
Blogging is easy. You can just get your words out and mostly you get instant gratification and feedback. Writing a novel or short story is harder work and lonely work and I try to get that shift from blogging to actually do some proper writing since some years.
One thing I feel I am not good at yet for my sci-fi and fantasy novel is world-building so Randy Ingermanson’s article about it came just in time.
I want to share it with you and hope it can give you some new ideas too:
This article is reprinted by permission of the author.
Award-winning novelist Randy Ingermanson, “the Snowflake Guy,” publishes the free monthly Advanced Fiction Writing E-zine, with more than 15,000 readers. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit www.AdvancedFictionWriting.com.
I can only encourage you to sign up to his newsletter. It’s always good advice on anything writing- and publishing-related. Enjoy!
Craft: World-Building and Social Networks
There are three categories of fiction where world-building is very important:
- Science fiction
- Historical fiction
I haven’t written much on world-building, for one simple reason.
Most categories of fiction don’t require elaborate world-building. I like to write about things that apply to most novelists. So I’ve avoided writing about the topic, even though world-building has been a big part of my own writing life.
I’ve been thinking about world-building lately, and one aspect of it in particular: social networks.
We’ve all become intensely aware of social networks in the last few years because of social media. If you’ve been on Facebook long, you’ll notice that they’re pretty good at guessing who you might want to friend. They do that by looking at who are friends of your existing friends, and they apply a branch of math called network theory.
Network theory has developed massively in the last twenty years, thanks to the growth of the internet, which makes it possible to study in real-time the growth and structure of various real-world networks. Network theory is now widely used in biology and chemistry and physics and political science and economics and computer science and neuroscience and materials science … and, and, and. The list is long.
Social Networks in a Story World
The core idea I’ll talk about today is the importance of social networks in creating a large story world. Mathematicians recently mapped out the social network in Game of Thrones, trying to identify the main character of the series by using various ideas from network theory. You can see the large graph they created on this page.
Most novels don’t have anywhere near the complexity of this social network. But historical novelists routinely deal with social networks that are much larger. I’ve written three novels so far in my City of God series, set in first-century Jerusalem shortly before the Jewish Revolt. I’ll continue to write more books in that series, but I’m also working on a series set in Judea and Galilee a few decades earlier. Social networks have played a key role in working out the history of both series.
I started researching my novels back in the early 1980s, and I quickly felt overwhelmed by the enormous number of people we know about from the various historical sources—Josephus, the New Testament, the Roman historians Tacitus and Suetonius, the Mishnah, the Talmud, various apocryphal and pseudepigraphical writings, numerous other minor sources, and the archaeological record.
To help me keep track of everyone, I began mapping out the social network of first-century Judea. I started by making lists of the numerous social groups. I found three main groups of aristocrats, two main groups of priests, and three main religious sects within Judaism. These groups had subgroups. I learned that there were five kinds of zealots. There were two main schools of thought among the Pharisees, and each played a critical role in first-century history. There were four families of chief priests who dominated Jerusalem for decades, and one of the four families bullied the other three.
For each of these groups and subgroups, I made a list of every character I could find, along with key information about each—when he lived, where he lived, important things he did or was alleged to have done. In a patriarchal society, most of these were men, but I dug up information on as many women as I could find. Historical information is often fragmentary, but it was not uncommon for a single character to be named in multiple sources, which gave me a more 3-D picture. (You can often learn as much from someone’s enemies as you can from their friends.)
My lists grew to include 151 historical persons, and could easily have been two or three times as large, but I left out many minor characters and most characters born in the first century BC or outside of Judea and Galilee.
Benefits of Building a Social Network
This was a lot of work, but two main benefits emerged:
- By combining information about each character from all the available historical sources, I built up a broad picture of who these people were and what they were trying to do. There were often disagreements between sources, but there was plenty of agreement, and any conflicting data gave me room to get creative.
- By clumping together similar characters into the social groups they belonged to, I was able to guess at who knew who. Even if no source ever said explicitly that Mr. A and Mr. B knew each other, I could infer that they did if they lived in the same place at the same time and knew the same people. Because (as Facebook knows), a friend of your friend is likely to be either a friend or an acquaintance or at least somebody you’ve heard of.
Can you guess who was the most connected person in this story world, according to the sources?
No, it wasn’t Jesus of Nazareth. It wasn’t Julius Caesar. It wasn’t the historian Josephus. All of these were very influential. They all had many connections. But they weren’t the most connected person in the sources.
The most connected person in the sources was King Herod the Great. Herod was an immensely energetic man, a powerful soldier, a visionary architect and builder, a shrewd politician, and a paranoid family man. He married ten women and sired a number of sons eager to inherit his throne. He executed his favorite wife and three of his sons out of misplaced fears of their disloyalty. Herod was close friends with Marc Antony and Cleopatra and later switched his loyalty to their enemy Caesar Augustus. (When he did, he encouraged Augustus to ignore whose friend he had been and to instead consider what an excellent friend he had been. Herod was nothing if not an opportunist.)
Herod and his sons, grandsons, and great-grandsons were close friends of the emperors of Rome for more than a century. One of his grandsons, Agrippa, brokered the deal to crown Claudius as emperor after the assassination of Caligula. Several of Herod’s descendants are mentioned in the New Testament, and his great-grandson, Agrippa Junior, was a close friend of the historian Josephus. His great-granddaughter Berenike was a mistress to the emperor Titus, who was eleven years younger than her. She must have been amazing. Titus almost married Berenike, which means that a 51-year-old hot Jewish grandmother very nearly became empress of Rome. There’s a story there, no?
When writing my novels, whenever I’ve needed a new character to play some role in the story, the first thing I’ve done was to flip through my list of actual historical characters. More often than not, I’ve found a real person with a real name and a real history that I could pull into my story. Then I could skim through all the known facts about that person to suggest ways to connect that same character at other points in the story.
Historical novelists are notorious for doing way too much research and building far too intricate story worlds. Being a historical novelist is a disease, and there isn’t any cure.
Most novelists don’t need to map out their social networks in so much detail. Even so, it can make sense to ask a few questions about the social networks in your story world:
- What are the main groups in your story world? (These might be religious, political, professional, or some other sort of group. Each one might have subgroups.)
- What are the conflicts between the various groups and how did these arise?
- Which characters belong to each group and subgroup?
- What are the conflicts and rivalries between characters within each group?
- What are the conflicts between characters belonging to different groups?
Start a file to keep track of your growing social network. Work on it until you get tired of it. Come back to it when you need it. See what happens.